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Shanghai Movie Competition’s Cellular Filmmaking Camp Wraps With 10 iPhone-Shot Quick Movies

The twenty eighth Shanghai International Film Festival‘s SIFF ING part wrapped its new Cellular Filmmaking Camp, with 10 quick movies shot completely on iPhone by rising Chinese language administrators screened each on-site in Shanghai and on-line. Launched as a brand new featured initiative throughout the 2026 SIFF ING part, the camp chosen its 10 members […]

Shanghai Film Festival’s Mobile Filmmaking Camp Wraps With 10 iPhone-Shot Short Films


The twenty eighth Shanghai International Film Festival‘s SIFF ING part wrapped its new Cellular Filmmaking Camp, with 10 quick movies shot completely on iPhone by rising Chinese language administrators screened each on-site in Shanghai and on-line.

Launched as a brand new featured initiative throughout the 2026 SIFF ING part, the camp chosen its 10 members by means of an open name and offered every with skilled iPhone filmmaking tools, manufacturing funding and technical mentorship. This system lined the total manufacturing cycle from growth by means of filming, competition screening and trade change, positioning itself as a structured pathway for early-career administrators to develop their cinematic voices.

The ten ensuing quick movies span a large tonal vary. Ding Ding’s “One Way Out” follows a metropolis drifter who embarks on a surreal journey after selecting up an uncommon passenger. Li Chenxi’s “The Lobster” imagines an encounter between human and synthetic life varieties. Yang Xiaoman’s “A One and A Two” facilities on a mom and daughter sorting by means of a deceased man’s belongings in what turns into an sudden reunion with him. Wu Xinyu’s “Days With You” tracks two ladies who spend three days role-playing as mom and daughter earlier than parting with candid confessions.

Stray Chen’s “Till Death” takes a science-fiction angle, following an AI humanoid who chooses to deteriorate alongside his terminally in poor health spouse after a bitter argument. Bonnie Chen’s “Mentors” is an autobiographical-inflected piece through which the director, nonetheless haunted 20 years on by an unresolved rupture along with her rhythmic gymnastics mentor Lily, enlists her performing mentor Jim to assist devise a theatrical course of aimed toward discovering reconciliation with Lily. Xu Xiang’s “Live Photo” makes use of the iPhone’s Stay Photograph function as its central metaphor, with a person on the final day of a divorce cooling-off interval revisiting previous images as his reminiscences of the wedding unravel.

Tu Hailun’s “The Unscientific Disappearance” is a supernatural thriller through which an aged man a driver is ferrying to the hospital vanishes with out clarification inside a tunnel. Han Yuqi’s “Hide and Seek” observes an eight-year-old boy processing the dying of his youthful sister whereas his dad and mom refuse to debate it. Harry Cai’s “Amour” captures a girl concealing heartbreak over her ex’s wedding ceremony whereas a companion quietly stays by her aspect.

The SIFF ING part, which runs throughout the Shanghai Worldwide Movie Competition, is designed to attract on the artistic vitality of youthful filmmakers from various cultural backgrounds and provides them entry to broader trade platforms.

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