Globo Filmes, one in every of Brazil’s largest movie manufacturing forces, is ready to again “Spring of the Dragon,” a fiction function bio specializing in arguably the best of the nation’s movie administrators, Novo Cinema icon Glauber Rocha.
The information comes as Globo Filmes and manufacturing home Conspiraçao have launched new particulars about “The Brokers,” one of many Brazil’s most awaited films marking the brand new movie from Fernanda Torres, a Golden Globe winner and Oscar nominee for her star flip in Walter Salles’ Oscar profitable “I’m Still Here.”
Andrucha Waddington (“The House of Sand”), a Berlinale Sequence Market winner this February for Globoplay collection “Emergency 53,” directs and produces.
Produced by Vania Catani’s Bananeira Filmes (“Zama,” “Medusa”) and co-produced by Globo Filmes, “Spring of the Dragon” (“A Primavera do Dragão”) will adapt the same-titled non-fiction ebook by Nelson Motta.
Revealed in 2012, the ebook captures the makings of a director who got here to represent the revolutionary spirit and pleasure of Brazil’s Sixties Novo Cinema, taking the movie world by storm, with “Black God, White Devil” which performed Cannes major competitors in 1964, when Rocha was solely 25.
Set to shoot within the cities of Salvador, on Brazil’s Atlantic seaboard, in addition to Rio de Janeiro and Cannes, “Spring of the Dragon” is written and directed by Rodrigo de Oliveira (“All the Paulos in the World”). Imagem Filmes will launch in theaters in Brazil.
The announcement by Globo Filmes at Cannes is especially applicable. Three of Rocha’s movies performed Cannes major competitors, the third, “Antonio das Mortes,” profitable finest director, making Rocha, two months after turning 30, the primary Latin American filmmakers to win such an honor.
“The film’s style is that of Italian neo-realism infected by the cutting of Eisenstein and the audacity of the French New Wave,” U.Ok. newspaper Guardian stated of “Black God, White Devil.” Admired by François Truffaut and Jean-Paul Sartre, Rocha was paid the final word praise by Jean-Luc Godard, having refused to shoot a section of Seventies “Wind From the East,” of showing within the movie as a person at a crossways pointing the route of political cinema.
“The Brokers” (“Os corretores”), starring and likewise penned by Fernanda Torres, a author on a number of movies and collection corresponding to 2023’s admired “The End,” has just lately wrapped filming in Rio de Janeiro.
Produced by Conspiração, in co-production with Globo Filmes and Sony Photos Worldwide Productions, Brazil — which may also deal with distribution out there through Sony Photos in Brazil, “The Brokers” is directed by Andrucha Waddington, behind a number of the most vital hits in Brazilian cinema and TV during the last a long time, corresponding to 2006 Sundance Competition winner “The House of Sand” and smash hit Globoplay collection “Under Pressure.”
The function movie was shot during the last weeks throughout totally different areas of Rio de Janeiro, corresponding to Copacabana, Tijuca, Santa Tereza, incorporating Rio’s city range into the narrative.
Described as a “real estate tragicomedy” when Selection introduced the title as a undertaking, “The Brokers” facilities on a pair who work within the enterprise. “It is a story centred on characters shaped by ambition, affection and contemporary contradictions,” Globo Filmes noticed Thursday.
The movie’s Brazilian star solid consists of Bruno Mazzeo, Milhem Cortaz, Fulvio Stefanini, Irene Ravache, Camila Márdila, George Sauma, Jaffar Bambirra, and Katiuscia Canoro. The movie now has a brand new picture.
“‘The Brokers’ is a real estate tragicomedy about the civic improvisation of Rio de Janeiro. The film tells the story of two broker brothers riding the wave of euphoria leading up to the World Cup and the Olympics Games in Brazil, selling square meters in Copacabana at Fifth Avenue prices,” Fernanda Torres informed Selection.
“The humiliating 7–1 defeat suffered by the Brazilian national soccer team against Germany foreshadowed the bankruptcy to come. With the country plunged into an unprecedented political and economic crisis, the brothers end up becoming involved with the illegal construction mafia operating in Rio’s West Zone.”
She added: “It’s an unpretentious, local film — a script I had written before being completely swept up in the release campaign for “I’m Still Here”. After I returned to Rio, I wished to lastly convey the undertaking to life, to work with my longtime companions — Andrucha, Bruno Mazzeo, and Conspiração — and make one thing easy and native, simply to maintain life shifting, with out the stress of deciding what my subsequent undertaking after Walter’s movie can be.“
For Waddington, “written by and starring Fernanda Torres, a longtime creative partner, “Os Corretores” portrays the brutal transformation of Rio de Janeiro by way of a tragicomic satire, specializing in the mechanism that finest symbolizes this phantasm: the actual property market.”
The director went on: “The film balances itself precisely between the delirious euphoria leading up to the World Cup and the Olympic Games and the hangover of the political, economic, and social decay that followed soon after, dragging its protagonists into situations that verge on the absurd.”
Fernanda Torres on the 97th Oscars held on the Dolby Theatre on March 2, 2025 in Hollywood, California. (Photograph by JC Olivera/WWD through Getty Photos)
WWD through Getty Photos
