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Adam Driver Brushes Off Lena Dunham Memoir Query in Cannes: ‘I’m Saving It All for My E book’

Adam Driver could also be identified for main critically acclaimed movies like “BlacKkKlansman” and blockbusters like “Star Wars,” however his profession first gained steam on TV in Lena Dunham‘s HBO series “Girls.” The show has been in the news again recently as Dunham’s memoir, “Famesick,” revealed behind-the-scenes drama together with claims about Driver’s on-set conduct. […]

Adam Driver Brushes Off Lena Dunham Memoir Question in Cannes: ‘I’m Saving It All for My Book’


Adam Driver could also be identified for main critically acclaimed movies like “BlacKkKlansman” and blockbusters like “Star Wars,” however his profession first gained steam on TV in Lena Dunham‘s HBO series “Girls.” The show has been in the news again recently as Dunham’s memoir, “Famesick,” revealed behind-the-scenes drama together with claims about Driver’s on-set conduct.

Within the e book, Dunham alleged that Driver was at occasions “verbally aggressive” and as soon as “hurled a chair at the wall next to me.” On the Cannes press convention for his newest movie “Paper Tiger” on Sunday, it didn’t take lengthy for Driver to be requested in regards to the claims.

“I have no comment on any of that. I’m saving it all for my book,” Driver stated plainly, sparking laughter within the room.

In “Famesick,” Dunham wrote: “I remember doing a fight scene with Adam and how scary it was to meet someone so totally present with such absence. Late one night, as we practiced lines in my trailer, I found that mine were suddenly gone. I knew I’d written them. I’d known them only minutes before. But when I opened my mouth, all that came out was a stammer — until finally, Adam screamed, ‘FUCKING SAY SOMETHING’ and hurled a chair at the wall next to me. ‘WAKE THE FUCK UP,’ he told me. ‘I’M SICK OF WATCHING YOU JUST STARE.’”

Regardless of their advanced relationship, Dunham stated she and Driver “still felt like partners” in the course of the first season of “Girls” and he or she “spent an inordinate amount of time wondering if Adam liked me.”

“He could be short-tempered and verbally aggressive, condescending and physically imposing,” she wrote, however “could also be protective, loving even.”

“Paper Tiger,” directed by James Grey and co-starring Scarlett Johansson and Miles Teller, premiered on Saturday evening to a seven-minute standing ovation. Set in 1986, the story follows two brothers, Irwin and Gary Pearl, whose get-rich scheme to assist clear up the Gowanus Canal ends in catastrophe after Irwin (Teller), a nebbish household man, angers Russian mobsters by unwittingly witnessing their felony exercise. It falls to Gary (Driver), a former cop, to bail him out, however his efforts to make a deal solely drag them deeper right into a world of violence.

Johansson was unable to attend the Cannes premiere — and failed to select up Grey’s FaceTime in the course of the ovation — however despatched a press release that Grey learn in the course of the press convention. “I want to be fair to Scarlett, I didn’t tell her I was going to try to FaceTime her. I just thought we might get lucky,” Grey stated earlier than studying Johansson’s remarks. “She’s working in New York and all that.”

“Working with James and this extraordinary cast was one of the great pleasures of my career. I feel so fortunate to have been part of a story so deeply rooted in what matters most: human connection, identity and the way our values evolve across generations,” Johansson wrote. “I’m sorry I can’t be there with you today. James, I know you are reading this right now and this part will make you genuinely queasy, my apologies. But I want you to know how much it means to me to have been part of something that you created with such care and intention, that came from the depths of your artistic soul. The consideration and sensitivity towards the human condition in this film is so evident on screen, every frame of it, and I am so extraordinarily proud to have been part of it.”

She continued, “To everyone watching and writing about this film, thank you for sitting with our story. Cinema has this rare and remarkable power to connect us to one another through a shared experience. It happens in the dark, where we can’t see each other’s faces, and yet somehow we can feel each other’s presence, each other’s empathy. That collective empathy is something we could certainly use more of right now.”

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