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Cannes Un Sure Regard Winner ‘Everytime’ Sells to 1-2 Particular for North America

1-2 Special has acquired all North American rights to Austrian auteur Sandra Wollner’s Everytime, which won the top prize within the Un Sure Regard part on the Cannes Film Festival. That includes cinematography from Aftersun DP Gregory Oke, the movie follows a mom, her younger daughter, and a teenage boy who, united by grief following a […]

'Everytime'


1-2 Special has acquired all North American rights to Austrian auteur Sandra Wollner’s Everytime, which won the top prize within the Un Sure Regard part on the Cannes Film Festival.

That includes cinematography from Aftersun DP Gregory Oke, the movie follows a mom, her younger daughter, and a teenage boy who, united by grief following a tragedy, embark on a visit to the Canary Islands for a household vacation that by no means occurred. All of a sudden, previous and current, and fiction and actuality, start to quietly blur.

The movie stars Birgit Minichmayr (Everybody Else, The White Ribbon, The Blood Countess), in addition to  Lotte Shirin Keiling, Tristan Lopez and Carla Hüttermann. 

Everytime is Wollner’s third characteristic movie. Her debut, The Not possible Image was awarded the perfect movie honor by the German Movie Critics Affiliation Award and the Ingmar Bergman International Debut Award on the Göteborg Movie Pageant. Her second characteristic, The Hassle With Being Born, premiered on the 2020 Berlin Movie Pageant, the place it gained the particular jury prize within the Encounters part.

Everytime was produced by Lixi Frank and David Bohun of Panama Movie, alongside Viktoria Stolpe of The Barricades. Charades is dealing with worldwide gross sales.

In an interview earlier than the movie’s premiere, Wollner advised The Hollywood Reporter in regards to the inspiration for the film: “Why does the sun go on shining? One would think that after a tragedy like the one that happens in the film, the world ought to have the decency to stop. … The indifference of the universe, which doesn’t care about our pain — that’s what interested me.”

THR‘s review known as Everytime, “an intriguingly understated grief drama,” highlighting that “its giant twist of an ending leaves us with something to contemplate.” And it famous: “As a portrait of human behavior in the wake of a terrible loss, the film feels both studied and compassionate, revealing how everyone tries their best to move on but can never quite get [the grief] out of their minds.”

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