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  • Pegah Ahangarani on Cannes Doc ‘Rehearsals for a Revolution’: ‘More Than Ever, This Film Had To Be Released Now, So People Can Put What Is Happening in Iran Into Perspective’
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Pegah Ahangarani on Cannes Doc ‘Rehearsals for a Revolution’: ‘More Than Ever, This Film Had To Be Released Now, So People Can Put What Is Happening in Iran Into Perspective’

Iranian director, actress and activist Pegah Ahangarani is in Cannes with documentary “Rehearsals for a Revolution,” which sketches Iran‘s failed attempts at self-determination over the past four decades from her personal prism and provides a timely take on the country’s turmoil that goes past the headlines. “Rehearsals for a Revolution,” which bows within the fest’s […]

Pegah Ahangarani on Cannes Doc ‘Rehearsals for a Revolution’: ‘More Than Ever, This Film Had To Be Released Now, So People Can Put What Is Happening in Iran Into Perspective’


Iranian director, actress and activist Pegah Ahangarani is in Cannes with documentary “Rehearsals for a Revolution,” which sketches Iran‘s failed attempts at self-determination over the past four decades from her personal prism and provides a timely take on the country’s turmoil that goes past the headlines.

“Rehearsals for a Revolution,” which bows within the fest’s Particular Screenings part, consists of 5 portraits of the director’s family and mentors, together with one in every of her college academics, representing 5 expressions of resistance from the early days of 1979, when the Islamic regime began, till the U.S.-Israel-Iran warfare that began in February.

Ahangarani, who lives in London, spoke to Selection about her nation’s failed makes an attempt to overthrow the regime because the Iranian folks “keep hoping and going back to protest and demand their rights.”

The movie opens with a line concerning the Persian phrase “yād” which, it says, means not simply reminiscence however the previous returning to the current. Was that the genesis of this mission?

Effectively, the entire impulse of the movie got here with this concept of remembrance. Of fascinated by how are you going to join together with your previous. And in addition how your previous can, in a means, intrude or maintain surfacing inside your current.

After I determined learn how to construction the movie, I believed not solely that I’d have chapters, however that I’d have a form of first-person introduction earlier than the chapters truly begin. The entire movie is concerning the means of remembering. How the scent of gunpowder jogged my memory of my father once I was a baby. It’s a sort of Proustian madeleine.

How does the current acceleration of tragic occasions in Iran tie in with this movie?

I’ve all the time thought that it will be attention-grabbing to construct a whole characteristic movie, simply with my archives, with some archives and a voice. I simply stored dreaming about this movie and questioning whether or not it wasn’t too formidable, too loopy. I sat down at my modifying suite and began constructing one chapter after the opposite. The truth that it’s so well timed is a kind of circumstances that occur in life and cinema and that, in fact, you can not predict and even want for. However it made us rush on the final chapter. We thought that we couldn’t miss this case. That it’s extra related than than ever, far more than only a piece of stories about what’s happening in Iran. Greater than ever, this movie needed to be launched now, so folks can put what is occurring in Iran into perspective. Lastly, right here we’re. This lifetime dream or ambition got here true.

There’s a phrase your uncle says: “I’m restlessly devoted and in love with failed revolutions.” It appears so revelatory. Are you able to elaborate?

There’s some unhappiness in contemplating the truth that my nation and my folks have all the time failed in its makes an attempt to precise their will for change. And this isn’t nearly this Islamic revolution. You possibly can go even additional again in Iranian historical past. For the reason that constitutional revolution firstly of the twentieth century, it’s all the time been one failure after the opposite. One repression after the opposite. And the folks have by no means been capable of attain their their aspirations. However on the similar time, what goes with this variety of failures is the resistance and the truth that they’ve all the time bounced again. It’s not as a result of they [Iranians] have failed as soon as that they’ve stopped believing in the identical values and preventing for his or her rights and standing up in opposition to repression. And so this additionally offers loads of hope and admiration for the those who haven’t given up due to one failure. They nonetheless have the identical preventing spirit. That’s what I feel the tone of the movie is. There are massacres and repression, however the Iranian folks maintain hoping and going again to protest and demand their rights.

No person has a crystal ball, however what what are your hopes for the long run in Iran?

Effectively, I feel if we glance again at Iranian historical past, we see that there’s all the time been this patriarchal, extraordinarily vertical energy construction below which some regimes — whether or not it was the monarchy or now this Islamic Republic — have all the time been deciding for the Iranian folks. And the folks haven’t been capable of make any resolution for themselves. So what they want now could be to have this energy themselves. To develop into lively, to have their very own company. And naturally, it’s not warfare that can carry company to the Iranian folks. Struggle is determined by some [outside] authorities, and it simply brings destruction. However the Iranian persons are extraordinarily intelligent. They’ve expertise, they’ve data. They’ve what they should rule their very own world. So all I can want is that the persons are given their very own company.

Courtesy The Occasion Movie Gross sales

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