Cannes Film Festival – Page 8

‘I See Buildings Fall Like Lightning’ Review: Clio Barnard Returns With a Clunky Social-Realist Weepie About Five Friends in Birmingham

‘I See Buildings Fall Like Lightning’ Overview: Clio Barnard Returns With a Clunky Social-Realist Weepie About 5 Buddies in Birmingham

The group of lads on the heart of Clio Barnard’s “I See Buildings Fall Like Lightning” dance their means via habit, housing precarity, class tensions and good outdated romantic betrayal. In idea, the British director’s fifth function — premiered in Administrators’ Fortnight at Cannes — is a movie of massive, effervescent feelings and anti-capitalist rage. […]

beatrice_loayza
May 22, 2026
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Hamaguchi Ryusuke on Cannes Palme d’Or Contender ‘All of a Sudden’: ‘What I Was Moved By Was What Was in the Book Itself’

Hamaguchi Ryusuke watched the standing ovation after the Cannes premiere of “All of a Sudden” with a level of warning. He’s not, he says, somebody who takes ovations fully at face worth. “I also know that a standing ovation is kind of a tradition here,” he tells Selection. “I don’t know how seriously I’m supposed […]

naman_ramachandran
May 22, 2026
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‘Miracle in Cell No. 7’ Helmer Lee Hwan-kyung Sets ‘Gasigogi’ With Falcon Pictures (EXCLUSIVE)

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‘Miracle in Cell No. 7’ Helmer Lee Hwan-kyung Units ‘Gasigogi’ With Falcon Photos (EXCLUSIVE)

South Korean director Lee Hwan-kyung has signed on with Jakarta-based Falcon Photos for “Gasigogi,” an Indonesia-set drama on fatherhood and paternal sacrifice. Taking pictures is ready to start within the coming months. “For a story this intimate, I sought a partnership built on emotional resonance rather than just commercial scale,” Lee stated. “I have been […]

naman_ramachandran
May 22, 2026
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‘Coward’ Review: Lukas Dhont Brings His Signature Aching Sensuality to the War-is-Hell Genre, and Makes His Most Satisfying Film to Date

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‘Coward’ Assessment: Lukas Dhont Brings His Signature Aching Sensuality to the Warfare-is-Hell Style, and Makes His Most Satisfying Movie to Date

Even the manifold mudbaths and bloodbaths of the Western Entrance can’t do a lot to soiled up Lukas Dhont‘s exactingly exquisite filmmaking in “Coward,” the young Belgian director’s third function, and his first to increase his recurring curiosity in challenged LGBTQ identification to a historic context. Observing the burgeoning romance between two Belgian troopers — […]

guy_lodge
May 21, 2026
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‘Coward’ Overview: Lukas Dhont’s Third and Most Bold Function Sticks Troopers in a Tortured Queer Love Story Mired in Emotional Fraudulence

Along with his first two options, Girl and Close, Lukas Dhont carved out a status for piercing examinations of the minefield for youngsters and adolescents of sexual and gender id, whether or not internalized or in relation to the surface world. Each movies drew acclaim, but in addition detractors who bristled on the Belgian director’s perceived exploitation of […]

david_rooney
May 21, 2026
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Penelope Cruz Lights up Los Javis’ Queer García Lorca Epic ‘The Black Ball,’ Earning 16-Minute Cannes Ovation

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Penelope Cruz Lights up Los Javis’ Queer García Lorca Epic ‘The Black Ball,’ Incomes 16-Minute Cannes Ovation

Javier Ambrossi and Javier Calvo’s “The Black Ball” (La Bola Negra) a queer epic spanning 85 years of Spanish historical past and impressed by an unfinished fragment by Federico García Lorca, premiered in competitors on the Cannes Film Festival on Thursday to a 16-minute standing ovation. The premiere marks the Cannes competitors debut for the […]

naman_ramachandran
May 21, 2026
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‘Death Has No Master’ Evaluation: Asia Argento Performs a Lady Contending With Undesirable Housemates in Listless Venezuelan Drama

That includes powerfully atmospheric music and sound design, and a way of tropical place so moistly palpable one may really feel involved about growing crotch rot after viewing, Venezuelan writer-director Jorge Thielen Armand’s third function, Loss of life Has No Grasp, is nicely dressed up however doesn’t actually go wherever. Thoughts you, his earlier full-length […]

leslie_felperin
May 21, 2026
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São Paulo Attracts Big International Shoots Like Michael Almereyda’s ‘Zero K’ as State Readies to Launch 20 Year Plan to Ensure Industry Stability

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São Paulo Attracts Massive Worldwide Shoots Like Michael Almereyda’s ‘Zero K’ as State Readies to Launch 20 Yr Plan to Guarantee Business Stability

Regardless of Brazil not having this yaer a movie at Cannes’ main sections from a Brazilian director, representatives from the Latin American nation nonetheless arrived confidently on the Marché du Movie to construct on the extraordinary momentum created by movies like final yr’s Cannes-winning political drama “The Secret Agent.” Members of the federal government of […]

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May 21, 2026
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Cannes Directors’ Fortnight: Clio Barnard’s ‘I See Buildings Fall Like Lightning’ Wins People’s Choice Audience Award

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Cannes Administrators’ Fortnight: Clio Barnard’s ‘I See Buildings Fall Like Lightning’ Wins Folks’s Selection Viewers Award

Cannes Administrators’ Fortnight has served some compensation for a scant presence of U.Ok. filmmakers in main sections at these 12 months’s pageant, awarding the very best profile amongst them, Clio Barnard, the part’s solely official prize: the Administrators’ Fortnight Folks Selection Award – an efficient Viewers Award – for “I See Buildings Fall Like Lightning.” […]

john_hopewell
May 21, 2026
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‘The Black Ball’ Review: The Spirit of Lorca Binds Gay Men Across a Century in an Ambitious but Distended Drama

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‘The Black Ball’ Evaluation: The Spirit of Lorca Binds Homosexual Males Throughout a Century in an Bold however Distended Drama

“This land has too many love stories buried in its fields,” says the Spanish poet Federico García Lorca in a quick dramatized look on the tail finish of “The Black Ball” — a movie in any other case content material simply to channel his spirit because it exhumes the suppressed internal lives of homosexual males […]

guy_lodge
May 21, 2026
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Tag: Cannes Film Festival

‘I See Buildings Fall Like Lightning’ Overview: Clio Barnard Returns With a Clunky Social-Realist Weepie About 5 Buddies in Birmingham

Hamaguchi Ryusuke on Cannes Palme d’Or Contender ‘All of a Sudden’: ‘What I Was Moved By Was What Was in the Book Itself’

‘Miracle in Cell No. 7’ Helmer Lee Hwan-kyung Units ‘Gasigogi’ With Falcon Photos (EXCLUSIVE)

‘Coward’ Assessment: Lukas Dhont Brings His Signature Aching Sensuality to the Warfare-is-Hell Style, and Makes His Most Satisfying Movie to Date

‘Coward’ Overview: Lukas Dhont’s Third and Most Bold Function Sticks Troopers in a Tortured Queer Love Story Mired in Emotional Fraudulence

Penelope Cruz Lights up Los Javis’ Queer García Lorca Epic ‘The Black Ball,’ Incomes 16-Minute Cannes Ovation

‘Death Has No Master’ Evaluation: Asia Argento Performs a Lady Contending With Undesirable Housemates in Listless Venezuelan Drama

São Paulo Attracts Massive Worldwide Shoots Like Michael Almereyda’s ‘Zero K’ as State Readies to Launch 20 Yr Plan to Guarantee Business Stability

Cannes Administrators’ Fortnight: Clio Barnard’s ‘I See Buildings Fall Like Lightning’ Wins Folks’s Selection Viewers Award

‘The Black Ball’ Evaluation: The Spirit of Lorca Binds Homosexual Males Throughout a Century in an Bold however Distended Drama

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‘Power to the People: John &