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Lee Chang-dong to Obtain Lifetime Achievement Honor at Malaysia’s MIFFest

South Korean filmmaker Lee Chang-dong will probably be introduced with the Lifetime Achievement Award on the ninth Malaysia Worldwide Movie Pageant (MIFFest), which unveiled its full program lineup Tuesday in Kuala Lumpur. The pageant runs July 18–25 and can current 65 movies from 35 nations and areas in 27 languages, together with two world premieres, […]

Lee Chang-dong to Receive Lifetime Achievement Honor at Malaysia’s MIFFest


South Korean filmmaker Lee Chang-dong will probably be introduced with the Lifetime Achievement Award on the ninth Malaysia Worldwide Movie Pageant (MIFFest), which unveiled its full program lineup Tuesday in Kuala Lumpur.

The pageant runs July 18–25 and can current 65 movies from 35 nations and areas in 27 languages, together with two world premieres, one worldwide premiere, three Asian premieres, 12 Southeast Asian premieres and 28 Malaysian premieres.

MIFFest president Joanne Goh described the director as “a filmmaker whose work continues to resonate across cultures and generations through its honesty, compassion, and profound understanding of humanity.” The tribute will embrace screenings of two of Lee’s movies: “Peppermint Candy,” a reverse-chronological drama inspecting private and nationwide trauma, and “Oasis,” a romance centred on love, isolation and human dignity.

Chinese language actor-director Wu Jing will obtain the pageant’s Glorious Achievement in Movie Award. This system will display “Blades of the Guardians: Wind Rises in the Desert,” directed by Yuen Woo-Ping, along side the glory.

The ninth version opens with the world premiere of Malaysian characteristic “BAGA: Tomorrow Belongs To No One,” directed by Ariff Zulkarnain. Set in a conservative fishing village in Kuala Terengganu, the movie follows a boatman combating dependancy and a batik artisan whose lives intersect after an unplanned being pregnant. Closing the pageant is “Yellow Letters,” directed by İlker Çatak, which received the Golden Bear on the 76th Berlin Movie Pageant. The movie tracks a Turkish artist couple whose lives come aside after their new manufacturing attracts state scrutiny.

The Worldwide Competitors part – reserved for administrators with three or fewer narrative options – brings collectively 10 movies. The Malaysian entry is Lau Kek-Huat’s “The Waves Will Carry Us.” Different titles embrace “Ah Girl” (Singapore), directed by Ang Geck Geck Priscilla; “Aisha Can’t Fly Away” (Egypt/France/Germany), directed by Morad Mostafa; “Becoming Human” (Cambodia), directed by Polen Ly; “Broken Voices” (Czech Republic), directed by Ondřej Provazník; “Girl” (Taiwan), directed by Shu Qi; New York-set survival drama “Lucky Lu” (U.S./Canada), directed by Lloyd Lee Choi; Sri Lankan movie “Riverstone,” directed by Lalith Rathnayake; “Silent Rebellion” (Switzerland/Belgium/France), directed by Marie-Elsa Sgualdo; and “The Red Hangar” (Chile/Argentina/Italy), directed by Juan Pablo Sallato.

Jury president is Indian filmmaker Anurag Kashyap, joined by Taiwanese director Midi Z, Thai actor-producer Ananda Everingham, Hong Kong manufacturing designer Man Lim-chung and Malaysian actress Sharifah Amani.

Two new program strands make their MIFFest debut this 12 months. Korean Cinema: A Tradition in Movement presents “Bluefish,” directed by Lee Sang-hoon, alongside “Mr. Kim Goes to the Cinema,” directed by Busan Worldwide Movie Pageant founder Kim Dong-ho, who has served as MIFFest’s honorary chairman for 9 years. Russian Movie Week, introduced with the Russian Ministry of Tradition and Roskino, affords 5 titles starting from Andrei Tarkovsky’s “Andrey Rublev” and Mikhail Kalatozov’s “The Cranes Are Flying” to up to date productions together with “Sidney Lumet’s Birthday” and “Family Happiness.”

Returning strands embrace ASEAN On Display screen, now in its second 12 months, with six movies from Malaysia, Vietnam, Indonesia, Thailand, the Philippines and Singapore; Hong Kong Cinema in Flux, headlined by “Ciao UFO,” winner of a number of awards on the forty fourth Hong Kong Movie Awards; and New Rhythms of Indian Cinema, which pairs Ramesh Sippy’s “Sholay” and Kashyap’s “Black Friday” with three up to date regional works.

The Open Air Cinema returns to the Sunken Backyard at MyTown Buying Centre in Kuala Lumpur, that includes a choice of Malaysian movies and 9 brief movies introduced with the Raintown Movie Pageant. The pageant additionally unveiled “Impian Di Seoul,” the second season of its Okay-Type microdrama collection, produced with Korean way of life companion Nongshim.

FULL PROGRAM

OPENING FILM
“BAGA: Tomorrow Belongs To No One” (Malaysia) – dir. Ariff Zulkarnain
CLOSING FILM
“Yellow Letters” (Germany/France/Turkey) – dir. İlker Çatak

COMPETITION
“Ah Girl” (Singapore) – dir. Ang Geck Geck Priscilla
“Aisha Can’t Fly Away” (Egypt/France/Germany/Tunisia/Saudi Arabia/Qatar/Sudan) – dir. Morad Mostafa
“Becoming Human” (Cambodia) – dir. Polen Ly
“Broken Voices” (Czech Republic) – dir. Ondřej Provazník
“Girl” (Taiwan) – dir. Shu Qi
“Lucky Lu” (U.S./Canada) – dir. Lloyd Lee Choi
“Riverstone” (Sri Lanka) – dir. Lalith Rathnayake
“Silent Rebellion” (Switzerland/Belgium/France) – dir. Marie-Elsa Sgualdo
“The Red Hangar” (Chile/Argentina/Italy) – dir. Juan Pablo Sallato
“The Waves Will Carry Us” (Malaysia/Taiwan) – dir. Lau Kek-Huat

A-LISTER
“Sham” (Japan) – dir. Takashi Miike
“Sirāt” (Spain/France) – dir. Oliver Laxe
“Two Seasons, Two Strangers” (Japan) – dir. Sho Miyake

NEON
“A Dance with Rainbows” (Taiwan) – dir. Lee Yi-Shan
“AnyMart” (Japan) – dir. Yusuke Iwasaki
“Calle Málaga” (Morocco/France/Spain/Germany/Belgium) – dir. Maryam Touzani
“June” (China/Hong Kong) – dir. Wang Yang

MANIFESTO
“Anti-Heroes of the Bahian Underground” (Brazil) – dir. Henrique Dantas
“Shanghai Daughter” (China) – dir. Agnis Shen Zhongmin

MALAYSIAN DISPATCH
“Finding Ramlee” (Malaysia) – dir. Megat Sharizal
“Her Second Act” (Malaysia) – dir. Joey Lee Choi Kin
“Polong” (Malaysia) – dir. Zulkarnain Azhar

MASTER AT WORK: LEE CHANG-DONG
“Peppermint Candy” (South Korea) – dir. Lee Chang-dong
“Oasis” (South Korea) – dir. Lee Chang-dong

ACTOR IN FOCUS: WU JING
“Blades of the Guardians: Wind Rises in the Desert” (China) – dir. Yuen Woo-Ping

ASEAN ON SCREEN
“Bury Us in a Lone Desert” (Vietnam) – dir. Nguyễn Lê Hoàng Phúc
“Dopamine” (Indonesia) – dir. Teddy Soeria Atmadja
“Phra Ruang: Rise of the Empire” (Thailand) – dir. Chartchai Ketnust
“Republic of Pipolipinas” (Philippines) – dir. Renei Dimla
“Tears in Kuala Lumpur” (Malaysia) – dir. Ridhwan Saidi
“The Sandbox” (Singapore) – dir. James Thoo

HONG KONG CINEMA IN FLUX
“Bird of Paradise” (Hong Kong) – dir. Joey Wu
“Ciao UFO” (Hong Kong) – dir. Patrick Leung Pak-Kin
“Dog Day Evening” (Hong Kong) – dir. Mak Tin Shu
“The Dating Menu” (Hong Kong/China/Taiwan) – dir. Amos Why, Frankie Chung
“Unidentified Murder” (Hong Kong) – dir. Kwok Ka Hei, Lee Chun-Package

RUSSIAN FILM WEEK
“Andrey Rublev” (Soviet Union) – dir. Andrei Tarkovsky
“Family Happiness” (Russia) – dir. Stasya Tolstaya
“Lefty” (Russia) – dir. Vladimir Besedin
“Sidney Lumet’s Birthday” (Russia) – dir. Raul Geydarov
“The Cranes Are Flying” (Soviet Union) – dir. Mikhail Kalatozov

NEW RHYTHMS OF INDIAN CINEMA
“Black Friday” (India) – dir. Anurag Kashyap
“Mayilaa” (India) – dir. Semmalar Annam
“Parikrama: The Journey” (India/Italy) – dir. Goutam Ghose
“Shape of Momo” (India) – dir. Tribeny Rai
“Sholay” (India) – dir. Ramesh Sippy

KOREAN CINEMA: A CULTURE IN MOTION
“Bluefish” (South Korea/Malaysia/Indonesia) – dir. Lee Sang-hoon
“Mr. Kim Goes to the Cinema” (South Korea) – dir. Kim Dong-ho

OPEN AIR CINEMA
“Baik Punya Cilok” (Malaysia) – dir. Afdlin Shauki
“Munafik” (Malaysia) – dir. Syamsul Yusof
“Polis Evo 2” (Malaysia) – dir. Joel Soh, Andre Chiew
“Pusaka” (Malaysia) – dir. Razaisyam Rashid
“Simple Manusan” (Malaysia) – dir. Haran Kaveri, Shobaan
“Sometime, Sometime” (Malaysia) – dir. Jacky Yeap

OPEN AIR CINEMA: RAINTOWN FILM FESTIVAL SHORT FILM SHOWCASE
“Chili, Garlic and Onion” (Malaysia) – dir. Kent Tan
“Drip by Drip” (Malaysia) – dir. Liang Xuan
“Hadiah Dari Hujan” (Malaysia) – dir. Aei Raa
“Hujan di Tengah Hari” (Malaysia) – dir. Faris Nabil
“Kuala Lain” (Malaysia) – dir. Adam Taufiq Suharto
“Madeleine” (China/Malaysia) – dir. Goh Zi Wei
“Racun Di Nadi” (Malaysia) – dir. Najib Ya’acob, Muhammad Amin
“Thulir” (Malaysia) – dir. Kuhanraj Rajasingam
“Where the Fish Looked Up” (Malaysia) – dir. Yeo Jun Yu

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