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  • Christopher Nolan Says ‘The Odyssey’ ‘Needed to Be the Biggest Film’ He’s Made as He Cuts and Glues Collectively Imax Movie in ’60 Minutes’ Interview (EXCLUSIVE)
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Christopher Nolan Says ‘The Odyssey’ ‘Needed to Be the Biggest Film’ He’s Made as He Cuts and Glues Collectively Imax Movie in ’60 Minutes’ Interview (EXCLUSIVE)

Christopher Nolan takes viewers behind the scenes of the intimate technique of placing collectively an Imax movie in a ‘60 Minutes‘ interview about “The Odyssey.” In one in all two clips solely obtained by Selection, Nolan says to “60 Minutes” correspondent Scott Pelley, “In taking on ‘The Odyssey,’ it does become about scale. It needed […]

Christopher Nolan Says ‘The Odyssey’ ‘Needed to Be the Biggest Film’ He’s Made as He Cuts and Glues Together Imax Film in ’60 Minutes’ Interview (EXCLUSIVE)


Christopher Nolan takes viewers behind the scenes of the intimate technique of placing collectively an Imax movie in a ‘60 Minutes‘ interview about “The Odyssey.”

In one in all two clips solely obtained by Selection, Nolan says to “60 Minutes” correspondent Scott Pelley, “In taking on ‘The Odyssey,’ it does become about scale. It needed to be the biggest film that we had done. It needed to be challenging to all of us, because that’s the nature of the story.”

“Looks like you nearly drowned Matt Damon,” Pelley says upon seeing a clip of Damon as Odysseus commanding a ship via stormy waters. Laughing, Nolan replies, “We certainly put him through his paces.” In a separate interview, Damon concurs: “It was the hardest movie I’ve ever done by far. Not even close.”

Within the second clip, Pelley explains in voiceover that “The Odyssey” is the primary feature-length film in historical past to be filmed completely on Imax as Nolan demonstrates his course of — actually reducing and gluing frames collectively — on the world’s final movie lab of its form.

“When Nolan was 16, he saw an Imax documentary at a museum and was spellbound by the five-story screen,” Pelley says. “But Imax is expensive and cumbersome. Digital photography and editing are faster and cheaper, so almost no one does this anymore.”

“Why keep this ancient art alive? Well, the 70mm Imax frame has resolution or image quality up to three times higher than digital,” Pelley continues. “Art — the hard way.”

Nolan’s “60 Minutes” interview will air on Sunday at 7 p.m. on CBS and stream on Paramount+.

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