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‘Mask’ and ‘Eraser’ Director Chuck Russell, Higgsfield Workforce for AI-Pushed Sci-Fi Options ‘Hyperia’ and ‘b’ (EXCLUSIVE)

Two authentic sci-fi options constructed round generative AI throughout their whole manufacturing pipeline have been unveiled on the Cannes Film Market, as filmmaker Chuck Russell and his firm Neumorphic AI set a manufacturing partnership with generative video platform Higgsfield. The initiatives, “Hyperia” and “b,” will deploy AI instruments from worldbuilding and creature design via to […]

‘Mask’ and ‘Eraser’ Director Chuck Russell, Higgsfield Team for AI-Driven Sci-Fi Features ‘Hyperia’ and ‘b’ (EXCLUSIVE)


Two authentic sci-fi options constructed round generative AI throughout their whole manufacturing pipeline have been unveiled on the Cannes Film Market, as filmmaker Chuck Russell and his firm Neumorphic AI set a manufacturing partnership with generative video platform Higgsfield.

The initiatives, “Hyperia” and “b,” will deploy AI instruments from worldbuilding and creature design via to VFX, modifying and publish, whereas stay actors shoot on LED volumes with AI-generated environments constructed round them.

“Hyperia” facilities on a fugitive thrown right into a punishing hover-sled race on an extraterrestrial world ruled by a rogue AI. “b” revisits a challenge that drew business consideration as the primary function to forged a humanoid robotic in a number one function. That robotic, Erica, was developed on the College of Osaka, and her creator, Professor Hiroshi Ishiguro, returns to the brand new manufacturing as android supervisor. Elena Kaya serves as generative AI supervisor, with Anoush Sadegh as govt producer. The story tracks a sentient digital life type – the primary of her variety – after she escapes her creator’s lab, triggering a global race to retrieve her earlier than navy contractors intervene.

Neumorphic AI was co-founded by Russell – whose credit embody “The Mask,” “Eraser,” “The Scorpion King” and “A Nightmare on Elm Street 3: Dream Warriors,” with a mixed international field workplace of greater than $1 billion – alongside VFX supervisor Erick Geisler, a two-time Emmy winner, and AI scientist Sam Khoze.

Higgsfield’s toolset for the productions spans the Soul 2.0 picture mannequin for character technology, Cinema Studio 3.5 for cinematic video, and Seedance for movement, together with in-house upscaling and skin-enhancement expertise. Neumorphic AI’s VFX studio handles ultimate texture and pores and skin refinement.

“AI technologies are expanding the cinematic toolbox to a scale we’ve never had before,” mentioned Russell. “Bringing actors, directors, cinematographers, VFX artists, robotics and AI systems all working together within one creative pipeline.”

“Partnering with a filmmaker of Chuck Russell’s calibre and the team at Neumorphic AI moves AI out of the demo reel and into the heart of the feature-film pipeline,” added Higgsfield co-founder and CEO Alex Mashrabov.

“AI only matters in film if it survives the real production process: continuity, lighting, camera language, performance, editability and creative control,” mentioned Geisler. “Our job is to bring these technologies into a professional workflow that directors, actors, cinematographers and VFX teams can actually use on a working set.”

“Hyperia and b are not films with AI inside them,” added Khoze. “They are films born from a synthesis of human imagination, robotics and machine cognition. We are returning to a frontier we helped open, with the tools finally catching up to the vision.”

Higgsfield can be screening its personal AI-native challenge “Hell Grind” at Cannes on Might 21.

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