Netflix mega-hit “The Platform” and “Rosa’s Wedding,” from high Spanish auteur Iciar Bollaín will likely be pitched June 21 on the Shanghai Movie & TV Market throughout an occasion centered on one of many key development axes in cutting-edge film dealing: Remake rights.
Latido Movies will current “The Platform” and Cinema Republic “Rosa’s Wedding.” They are going to be joined by Spain’s Start Once more Movies, introducing “When You No Longer Love Me,” a style mixing homicide thriller and love story and Mod Producciones (“Agora,” “The Captive”), a producer of “Two Many Chefs,” a troubled father-son set on this planet of Basque haut delicacies.
The Shanghai Remakes occasion, organized by Spain’s Institute of Cinematography and Audiovisual Arts (ICAA), will see every firm discuss up the Asian market remake potential of their titles for 10 minutes. Moderated by ICAA Senior Advisor Miriam de Miguel Ezagüi, the presentation will likely be adopted up by a networking occasion with potential companions or consumers.
The remakes focus has a big logic. “In times when creating original material is proving harder and harder, to have a proven concept to elaborate makes a lot of sense,” mentioned Antonio Saura, Latido Movies managing director. Remakes symbolize an increasing number of an vital facet of our enterprise and good worth for producers and creatives who can see earnings incremented exponentially,” he added, noting that Latido has remake rights virtually offered on “The Platform.”
“For Begin Again Films, remakes are a very new business area, but they have quickly become very promising,” mentioned Gloria Bretones, co-CEO & head of worldwide sales-acquisitions at Start Once more Movies. “The reason is simple. Creating an original project from scratch is expensive and risky. When producers buy a story that has already worked with audiences, the risk is lower and development costs are usually lower too,” she added, commenting that China was one among three nations exhibiting curiosity in “When You No Longer Love Me” after a pitch at Cannes Remakes 2026.
“Remakes are a growing business,” added David Castellanos, Cinema Republic founder. “The principal reason is simple: With a good screenplay you have the possibility of of making a god film, with a bad one never. And comedy is the most popular genre and the most difficult to write.”
If the screenplay is vital, so will likely be its writers. “When You No Longer Love Me,” for instance, is written by Javier Echániz, Asier Guerricachebarría and Ion Iriarte, contracted by David Victorí for “Firebreak,” a Netflix No. 1. film in any language over Feb. 23-March 1 this 12 months. Echániz and Guerricchebarría additionally co-wrote “Silent Cargo,” a giant hit for Prime Video.
“Two Many Chefs” is co-written by Joaquín Oristrell behind early comedy hits starring Javier Bardem (“Mouth to Mouth”) and Penelope Cruz (“Alegre ma non troppo”) and nonetheless one among Spain’s most interesting screenwriters, acknowledged in 2026 by a finest tailored screenplay Spanish Academy Goya Award this 12 months for “The Dinner.” “Rosa’s Wedding” is written by Iciar Bollaín and Alicia Luna, who teamed on authentic screenplay Goya winner “Take My Eyes.”
Excessive idea movies which are simply translated into different nations realities, Saura argues. Actually, all 4 movies to be introduced at Shanghai are excessive idea to various levels. In “Rosa’s Wedding,” massively put upon by her boss and household, Rosa, a gifted seamstress, vows sooner or later to rejoice a marriage the place she marries herself and to stay her desires and wishes. “The Platform” is about in a vertical jail of a number of hundred flooring the place a stone dumbwaiter descends with meals left over from tenants above. Larger-level inmates gorge themselves; these beneath face hunger, suicide or cannibalism – a brutal metaphor for the world’s meals chain.
There’s a rising remakes enterprise for attention-grabbing IPs,” agreed Simón de Santiago, a associate and producer at MOD Producciones.
When push involves shove, nevertheless, there might be a number of parts which may prime a movie’s remake potential. A more in-depth have a look at the lures of the 4 titles at Spain’s Shanghai Remakes showcase:
“The Platform” (“El Hoyo”)
Director: Galder Gaztelu-Urrutia.
Screenwriters: David Desola, Pedro Rivero,
Producers: Basque Movies, Mr. Miyagi.
One of the crucial profitable Spanish smash hit exports final decade, a 2019 Toronto Pageant sensation scooping its Midnight Insanity Folks’s Alternative Award earlier than acquired worldwide by Netflix, the place it stays No. 7 hottest non-English film on Netflix ever, with 82.7 million views. A “terrorific mix of futurist dystopian sci-f and redolent social allegory wrapped in a brutal survival thriller,” Selection has written.
“‘Platform’ represents a unique opportunity to make remakes since you can incorporate local actors into a proven high concept film. on top of that, it can have huge production value with a relative low cost. as far as the storytelling, stories of resistance, self growth and struggle are always welcome. The film fall in the category of genres that are appreciated,” says Saura.
“Rosa’s Wedding” (“La boda de Rosa”)
Director: Iciar Bollaín
Screenwriters: Bollaín, Alicia Luna
Producers: Tandem Movies, Turanga Movies, Septembro Cine, La Boda de Rosa la Película AIE, Halley Manufacturing
Garments to be sewn and actors dressed for a movie shoot? to purchasers? Rosa does every thing. Who can take care of her ageing father? Or water absent neighbors’ vegetation, or absorb a buddy’s cat, or pay her daughter’s hire? Bought by The Match Manufacturing facility, a feel-good, second likelihood feminist comedy winningly carried out by its leads which received a 2020 Malaga Pageant Particular Jury Prize and scored €980,683 ($1.1 million) at Spanish cinemas.
“‘Rosa’s Wedding’ is based on a news item about van agency in Kioto Japan, which organised weddings where the bride married herself (“solo weddings”) to speak a couple of common concern: Many ladies stay to take care of different individuals greater than for themselves,” says David Castellanos, founding father of Cinema Republic, which represents the movie’s remake rights.
“Two Many Chefs” (“La vida padre”)
Director: Joaquín Mazón,
Screenwriters: Joaquín Oristrell
Producers: MOD Producciones, Kowalski Movies
Mikel’s dad, Juan Inchausti, a genius chef given up for useless 30 years in the past, immediately returns with amnesia to his modern-day restaurant in Bilbao, now run by nouvelle delicacies devotee Mikel, who’s up for a 3rd Michelin star. However for that he wants the Basque delicacies genius of his father. A drama comedy parable about connecting to at least one’s roots, whether or not household or tradition, directed by Mazón (“The Night My Dad Saved Christmas”). “It’s a common story that hyperlinks two generations and two completely different instances. Above all, it’s set on this planet of excessive delicacies, which is all the time very interesting,“ mentioned De Santiago.
“With Chinese cuisine being one of the best cuisines in the world, the contrast between the worlds of traditional and high new cuisine could also be very appealing. And, in the end, it’s a father-son story, which is easy to identify with.”
“When You No Longer Love Me”
Director: Igor Legarreta
Javier Echániz, Asier Guerricachebarría and Ion Iriarte
Producers: Centuria Movies, Cepa Audiovisual, Cuando Dejes de Quererme AIE, Grupo Creativo EOK
Laura, born within the Basque Nation the place her father Félix deserted her as a small youngster in 1968, now residing together with her stepfather Fredo in Buenos Aires, receives a telephone name in 2002 that her father’s physique has been found, shot behind his head 34 years earlier than. An intricately plotted homicide thriller however much more impactful as a whodunit than whodunit, a triple love story constructing emotional energy in its last act.
“‘When You No Longer Love Me’ is a thriller, and thrillers work well in almost every country,” mentioned Bretones.
On this case, additionally it is a romantic thriller, which makes it much more enticing for markets like China. Love, household secrets and techniques and a homicide thriller are common themes. Chinese language audiences already take pleasure in many movies with these parts,” mentioned One other benefit is that the story might be tailored to completely different budgets, which is all the time interesting to producers.
