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Blood, Blasphemy and Boning: Ken Russell’s ‘The Devils’ Turns 55, and It’s Nonetheless the Freshest, Wildest Movie at Cannes

Sometimes, the Cannes Classics part just isn’t one of many pageant’s main noise-makers. Principally comprising restorations of traditional titles and new documentaries about movie historical past, it’s, for many attendees who don’t particularly work in repertory cinema, a spot to take a breather, to dip into the pleasures of the outdated amid the whirling rush […]