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‘Gentle Monster’ Assessment: Léa Seydoux Brings Gravity to a Harrowing Finish-of-Household Drama

It’s ironic, in a movie of treasured little irony, that Marie Kreutzer‘s intelligently made but unremittingly bleak “Gentle Monster” — the Austrian director’s Cannes competition-selected follow-up to her Un Sure Regard prizewinner “Corsage” — shouldn’t solely start and finish with a trampoline, however ought to to some extent pivot on the uncomplicatedly joyful picture of […]