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‘Hope’ Evaluation: Korean Motion Maestro Na Hong-jin’s Rip-Roaring Sci-Fi Creature Function Has Instantaneous Cult Basic Written All Over It

There’s a sly sight gag comparatively early in Na Hong-jin’s blockbuster-in-the-making, Hope, by which the digital camera gazes over the wreckage of a rural village within the Korean Demilitarized Zone, lingering only a second on a propaganda signal studying “Protect the Nation From Infiltration.” It’s just a little late to heed that warning though at that […]