‘Minotaur’ Overview: Andrey Zvyagintsev Returns in Impeccable Kind With a Despairing, Darkly Humorous Reflection on Corruption and Betrayal in Putin’s Russia
One of many first belongings you discover about “Minotaur” is how a lot area there may be in it. Uncrammed home interiors give the digicam sufficient room to scrutinize particulars in stalking, unimpeded pans; fashionable grey workplace suites seem half-furnished and half-empty, as if the corporate is both transferring in or dying out; public streets […]

